THE PROJECT

Experience an imperative collection of plays on the opioid epidemic.  Elephant Room Productions presents The Fifth Vital Sign, a multimedia event addressing one of our society’s most prevalent diseases.

The Fifth Vital Sign immerses audiences in a collection of experiences exploring the crisis; from children coping with their recovering mother, to parents mourning their late daughter, a couple arguing over solutions to chronic pain, a mother who gave everything to help her son attempt recovery, and a rhythmic piece delving into the historical aspects of pain and how we, as a society, cope with it.

From June to September 2019, a selection of these plays aired on our podcast: The Trumpet.  On November 2nd and 3rd, these plays will be presented as live performances at the Tank in New York City.  To keep the conversation going long after the curtain closes, Elephant Room Productions is partnering with Shatterproof to help prevent addiction and help those in recovery.  Continue on to hear the audio plays and learn more about the teams behind the project.

THE PRODUCING TEAM

Lauren M. Krebs (Shover) (Artistic Director, Play Curator, Sound Designer) began her work in Philadelphia at Brat Productions working as the Assistant Director to Director, John Clancy, on their production of The Last Plot in Revenge.  Lauren has also worked with Simpatico Theatre Company as Assistant Producer on their Second Stage Series as well as Bucket List Productions as Associate Producer running their ongoing interactive theatre show, Trapped in a Room with a Zombie. In New York City, Lauren has worked with the Artful Conspirators as Assistant Director for their workshop of Bad Husband written by Dano Madden as well as the 92nd St. Y Resident Artists as Director of their workshop of First Snow written by Christopher G. Ulloth.

In 2014, Lauren co-founded the development and workshopping company, Elephant Room Productions.  Elephant Room Productions has workshopped new pieces such as Foothills Park and Beautiful American Soldier by Dano Madden, Whispers by Phil Czekner, Captive by Lauren M. Shover, Pis Allers by Titus O’Neill, Ventilator Blues by Bob Kerr and Salamander by Lisa VillaMil. In 2017, Lauren directed Suicide Stories: Gallery of the Untold as part of the Philadelphia Fringe Festival, which was quoted by the Broad Street Review as “dizzying and exhilarating” and by the Phindie as “a surprising reminder of how good it is just to be alive.”. In 2018, Lauren directed Salamander by Lisa VillaMil as a part of the Philadelphia Fringe Festival, which was quoted by the Broad Street Review as “an emotionally grounded, realistic, and well-crafted braid of stories” and Phindie shared that “The lights, language, and gesture provided an atmosphere, and it made it black and white how women are pulled through the experience of reliving the rape afterwards.” In 2019, Lauren orchestrated The Fifth Vital Sign: an evening of plays on the opioid crisis and also co-directed the film Paindemonium by Joyce Fontana that was weaved throughout the live performances. Aside from the mainstage, Lauren coordinates and facilitates the Elephant Ears Reading Series, which is an opportunity ERP extends to playwrights for their working plays to be read and discussed by actors without the pressure of an audience. Since its foundation in 2016, EERS has helped over 65 playwrights progress their work.

Lauren currently works as a Youth Leadership Advocate for Compass Mark (Science-Based Addiction Prevention) in Lancaster, PA, where she works to empower today’s youth with skills they need to continue happy and healthy lives with bright futures. Lauren is also actively working towards earning her Masters in Public Health to help enable her to continue her goal of preventing substance abuse in the United States.

 

 

Robert Gene Pellechio (Podcast Director, Audio Editor for The Fifth Vital Sign Audio Play series, Audio Recording for Suddenly and The Monster that Comes at Night) A member of ERP since its inception, Robert currently serves as Podcast Director and hosts the monthly podcast The Trumpet, the official podcast of Elephant Room Productions. Previous ERP projects have included A Midsummer Night's Cabaret (Bottom), Captive (The Doctor), Whispers (Nobody), and Production Manager for Suicide Stories: Gallery of the Untold. In addition to ERP Robert has performed with Bootless Stageworks, Renaissance Music Theatre, The Candlelight Theatre, and most frequently Hedgerow Theatre, where he has served as an actor and Teaching Artist and Director/Assistant Director of several youth productions.

 

 

Elizabeth Potter/Potter Productions (Guest-Film Director, Producer) is a New York City based producer and director. Having her start in musical theatre, Potter has performed with regional and off-Broadway theatres and on-screen in commercials and independent films. Alongside her performance career, Potter has built experience in box office and company management, sales, dance instruction, and non-profit community development and outreach, which now informs her work as a producer and director for film, video, photography, and live experiences. In 2018, seeking to provide an empathetic space to hone the creative process, increase artistic skill, and quality output, she founded Potter Productions, LLC to connect artists with the resources they need to refine and execute their vision. More at potterproductionsllc.com and eapotter.com and on socials @potterproductionsllc and @e.a.potter.

 

 

Emilano Flowerman (Audio Recording for Couch and Take Care) recorded two of the audio plays in this series in his studio in Brooklyn, NY.  He is also an artist and Head Producer for Eda Wolf, Maelyn, and Archana.  Learn more at 1800flowerman.com.

 

 

 

 

Julianne Schaub (Marketing Director) is a Philadelphia based theatre artist and is thrilled to be working with ERP once again. Her first production with them was their 2017 Philly Fringe piece Suicide Stories, she fell in love with the herd and all that they do. She has also performed regionally at the Pennsylvania Shakespeare Festival, Hedgerow Theatre and at the Please Touch Museum Playhouse- all of which have deepened her love for story-telling, which is what drew her to the piece she is directing for The Fifth Vital Sign. 

"I believe that when you see a piece of theatre, you are seeing the world from a new perspective. You are understanding the world of another person outside yourself and are able to experience what they are going through, their feelings. Theatre creates empathy-the ability to feel for another person- and I think that's necessary."

 

 

Christopher G. Ulloth (Producing Director, Graphic Designer, Cinematographer) is a New York City based playwright and producer.  B.A.: Bloomsburg University.

Plays: FIRST SNOW (Semi-finalist of the 2015 Eugene O’Neill National Playwrights Conference, Finalist of the 2014 Seven Devils Playwrights Conference); “Sex Robot”  (TechnoPlays, Project Y Theatre, published by Indie Theater Now); “Bi-Cycle” (Landmarks & TRANSformations, Project Y Theatre, 2017 Innovative Theatre Award Nominee); “Bisexual BBQ” (Voice Recognition Plays, Bloomsburg University); COUCH SURFING (Queer Plays Reading Series, Project Y Theatre); “Museum Bar” (Suicide Stories, Elephant Room Productions, Philadelphia Fringe Festival 2017).

Producing: THE FIFTH VITAL SIGN (Elephant Room Productions, NYC, 2019) Women in Theatre Festival (Project Y Theatre Company 2016-2019); SALAMANDER by Lisa VillaMil (Elephant Room Productions, Philadelphia Fringe Festival 2018); SUICIDE STORIES: GALLERY OF THE UNTOLD (Elephant Room Productions, Philadelphia Fringe Festival 2017); VENTILATOR BLUES by Robert Kerr (Staged Reading, Elephant Room Productions, 2017); BEAUTIFUL AMERICAN SOLDIER by Dano Madden (Staged Reading, Elephant Room Productions, 2016); WHISPERS by Phil Czeckner and CAPTIVE by Lauren M. Shover (Staged Readings, Elephant Room Productions, 2015); FOOTHILLS PARK by Dano Madden (Staged Reading, Elephant Room Productions, 2014).

NOVEMBER 2ND & 3RD
at 3:00 PM

The Fifth Vital Sign is presented by The Tank, a home for emerging artists.

Buy Tickets

The Tank
312 West 36th Street, 1st Floor
New York, NY 10018
212.563.6269
https://thetanknyc.org/

 

SUDDENLY

SYNOPSIS
A couple is forced to contend with bitterness and anger along with their grief as they write an obituary for their daughter.
BIOS

Ellen Davis Sullivan (Playwright) is an award-winning writer of stories, non-fiction and plays. Her stories have appeared in print journals including Cherry Tree, Stonecoast Review and Moment Magazine. Her essay, The Perfect Height for Kissing won the 2014 Columbia University Non-Fiction Prize and was published in Columbia: A Journal of Literature and Art. Her one-act plays have been produced in festivals around the country. She is a member of the Dramatists’ Guild.

 

 

 

Robert Gene Pellechio (Director) is thrilled to be making his directorial Debut with Elephant Room Productions! A member of ERP since its inception, Robert currently serving as Podcast Director and hosts the monthly podcast The Trumpet, the official podcast of Elephant Room Productions. Previous ERP projects have included A Midsummer Night's Cabaret (Bottom), Captive (The Doctor), Whispers (Nobody), and Production Manager for Suicide Stories: Gallery of the Untold. In addition to ERP Robert has performed with Bootless Stageworks, Renaissance Music Theatre, The Candlelight Theatre, and most frequently Hedgerow Theatre, where he has served as an actor and Teaching Artist and Director/Assistant Director of several youth productions.

 

 

Ginger Agnew (Mattie Karsh), M.Ed. is delighted to be involved with this important production. Ginger is a director, teaching artist, writer, actress, photographer, Barrymore Nominator, Guide Educator for Historic Germantown, and reviewer whose involvement in many aspects of theater goes back to the 1970’s. In 1998 Ginger founded OFF Book Productions as director, theater educator, and producer of original plays. Ginger’s theater education work extends to private coaching, headshot photography, and youth programs at Walnut Street Theater, Venice Island Performing Arts Center in Manayunk, Princeton University, Bryn Mawr College, Temple University, Doane Academy, and Philadelphia Arts in Education Partnership. Ginger is on the advisory council of Philadelphia Womens Theater Festival. Ginger has directed many shows, but some favorites are: Our Town, Aida, You’re a Good Man, Charlie Brown, The Diary of Anne Frank, You Can’t Take it With You, Cinderella, and Aladdin. Ginger appears in Philadelphia The Great Experiment on ABC, has done a variety of short films, and is one of the many local extras in Creed 2. Favorite roles include: Salamander (Woman), A Stoop on Orchard Street (Bubie), Fiddler on the Roof (Golde),  Pippin (Berthe), The Pajama Game (Mabel), Pirates of Penzance (Ruth), The Secret Garden (Mrs. Sowerby), Working (Ruth), and Mother Goose.

 

Shaun Yates (Herman Karsh) is very excited to be making his debut Elephant Room Productions. A native Texan, he is currently a company member at Bootless Stageworks as well as Hedgerow Theatre and has been performing in the area since 2010. In that time he has brought to life numerous characters including; Star Wars: A New Musical Hope (Obi-Wan) and You've Got Red On You (Shaun) at Bootless Stageworks, Peter and the Starcatcher (Alf) and Assassins (Gerald Ford) at the Eagle Theatre and Around the World in 80 Days (Actor 1) at Stages Theatre. Love and thanks to Mom, Dad, & Cris; and to you, theatre patron, for keeping the theatre alive. www.shaunyates.com

 

THE MONSTER THAT COMES AT NIGHT

SYNOPSIS
A teenage boy tells his sister a story in an effort to help her cope and understand the abusive environment they live in. The fictional story and the world they operate in slowly begin to converge with each other.
BIOS

Robby Justiss (Playwright) is a writer, actor, and producer raised in Morgantown, West Virginia and currently residing in Chicago, Illinois. He has written and directed numerous short films that have played at prestigious film festivals across the world. He is an alum of Harold Ramis Film School at The Second City and is also a Resident Director at Seven Stories Theatre Company. 

 

 

 

Julianne Schaub (Director) is a Philadelphia based theatre artist and is thrilled to be working with ERP once again. Her first production with them was their 2017 Philly Fringe piece Suicide Stories, she fell in love with the herd and all that they do. She has also performed regionally at the Pennsylvania Shakespeare Festival, Hedgerow Theatre and at the Please Touch Museum Playhouse- all of which have deepened her love for story-telling, which is what drew her to the piece she is directing for The Fifth Vital Sign. 

"I believe that when you see a piece of theatre, you are seeing the world from a new perspective. You are understanding the world of another person outside yourself and are able to experience what they are going through, their feelings. Theatre creates empathy-the ability to feel for another person- and I think that's necessary."

 

Natalie Marie Walsh (Eleanor) graduated from DeSales University with a BA in Acting and Directing. She's done various independent films, such a Pledge now on Hulu. She's also been active in the Scranton Fringe Festival playing the ingenue in Joseph McGurl's Relationships. She is ecstatic to be involved in this production with such a powerful message and wonderful team of artists!

 

 

 

Latrice Smith (The Mom, stage play) is a Philadelphia native who earned her B.A. in Theatre and Strategic communication from The University of Scranton. She has worked with Elephant Room Productions since summer of 2017. Latrice is an actor, director, Stage manager and Producer primarily based in Philadelphia. Currently she is the Producing Intern at the Vineyard Theatre in New York and will appear in the reading Beacons by Dan Mauro in June. She is thrilled to be working with ERP on this project!

 

 

 

Lesley Berkowitz-Zak (The Mom, audio play) is a Philadelphia based physical theatre and circus artist. This is her second project with Elephant Room with the first being Suicide Stories in 2017. She has performed with Tangle Movement Arts, Tribe of Fools, Revolution Shakespeare, Adirondack Shakespeare Festival and Curio Theatre Company. Love to john and little bug.

 

 

 

Michael Berbano (Johnny, stage play) is an Philadelphia-based actor/director. A graduate of Temple University, he has recently been involved in projects such as Much to Do, Much to Fix; SPIES! and Almost, Maine; and made his directorial debut with Cock by Mike Bartlett in the spring.

 

 

 

 

Matt Wolfinger (Johnny, audio play) A recent graduate of DeSales University with a BA in Communication, Matt was involved in several productions through the school's theatre department, playing Jack and the "We Beseech Thee" track in their productions of Into the Woods and Godspell respectively. He is eager to be a part of this production and can't wait to tell this wonderful story alongside a team of such talented and passionate people.

 

 

 

Alice Hakvaag (Stage Manager/Assistant Director, stage play) is a theatre artist based in Philadelphia, PA. She has worked internationally as an actor, director and playwright. Some of her favorite credits include directing and sound designing Fixed at the Venice Island Performing Arts Center, acting in the Philadelphia Young Playwrights New Voices Festival, and directing Eurydice for Temple Theater Sidestage. Her latest play, Atrytone, recently premiered during the Philadelphia Fringe Festival. Many thanks to Elephant Room Productions and Julianne!

 

 

 

Monica Fotusky (Stage Manager/Assistant Director, audio play) is an actress and multi-medium artist of the Philadelphia and suburban area of Pennsylvania. She has been performing with Without A Cue Productions for over two years; and, where she has over twenty credited roles. Other credits of hers include, Sister in Suicide Stories: Gallery of the Untold (ERP), Titania/Hippolyta in A Midsummer Night’s Dream (West Chester Summer Theatre), Maria in Twelfth Night, Kate Mundy in Dancing at Lughnasa, Kate Sullen in The Beaux Stratagem, Marcela Dean in Second Samuel (Center for Performing and Fine Arts) and, Anne Gilbreth in Cheaper By The Dozen (Actors NET Bucks County). Monica is certified with the Great Lakes Michael Chekhov Consortium. She has spent summers as props assistant for Ocean City Theatre Company and worked as scenic artist assistant for Limelight PAC. Monica is a graduate of Pulse Beauty Academy and The Center for Performing and Fine Arts. To accompany Monica in her acting journey and check out her latest pieces of art, follow her Instagram, @mofotusky and for her art @mofos_artshow

COUCH

SYNOPSIS
Edie knits in her living room, where the only furniture left is a couch. When her troubled son Jacob arrives and wants to take her couch from her, Edie declares enough. As mother and son fight over the last piece of furniture in the house, the events that lead them to this point are finally laid bare.
BIOS

Shannon Murdoch (Playwright) is the winner of the Yale Drama Series Award for her play New Light Shine, which was also selected for the National Play Festival. It is published by Yale University Press with a foreword written by John Guare. Virus Attacks Heart was produced at EAT New Works Festival, NYC, Planet Connections Festival NYC and Venus Theatre Company in Maryland. It is published by Original Works. Dog & Boy was a finalist for the Rodney Seaborn Playwrights Award and break, or catch firewas a finalist for the Patrick White Playwright Award from Sydney Theatre Company. Other plays include One Cloud (Theatreworks, Melbourne), Everything in Between(Smith& Kraus, Best 10 Minute Plays) and Act Accordingly (JAC Publishing). Shannon holds a first class honours degree in Theatre and Creative Writing from Griffith University and is a graduate of The Playwrights Studio at the National Institute of Dramatic Art. An Australian delegate to the International Youth Playwrights Festival (Interplay), she has received writing fellowships from the Australian Council for the Arts, the Djerassi Resident Artists Program in California, Victoria Writers Centre and Hothouse Theatre. She can be found at www.shannonmurdoch.com.au

 

Elizabeth Potter (Director) is a New York City based producer and director. Having her start in musical theatre, Potter has performed with regional and off-Broadway theatres and on-screen in commercials and independent films. Alongside her performance career, Potter has built experience in box office and company management, sales, dance instruction, and non-profit community development and outreach, which now informs her work as a producer and director for film, video, photography, and live experiences. In 2018, seeking to provide an empathetic space to hone the creative process, increase artistic skill, and quality output, she founded Potter Productions, LLC to connect artists with the resources they need to refine and execute their vision. More at potterproductionsllc.com and eapotter.com and on socials @potterproductionsllc and @e.a.potter.

 

Paige Susan Anderson (Edie, stage play) is delighted to be part of this production of Couch. Recent credits include Hit Men with the Reaching Out Play Festival at Nu Box Theatre, Matroyoshka with the HOT! Festival at Dixon Place, Plowing Through at Theatre for the New City, and An Enemy of the People with The Lee Strasberg Theatre & Film Institute (LSTFI). She also recently appeared in the short films Mercy, Success, and M.I.R.A.G.E.  Paige completed the two-year conservatory program at LSTFI in June. When not acting or writing, she “relaxes” by training for and running marathons. @paigesusananderson fb paige.anderson.169

 

 

Michelle Thomas-Hanson (Edie, audio play) is excited to voice the role of Edie in her first production with Potter Productions.  She has enjoyed performing in a number of productions with a variety of fantastic theater groups throughout the New York and New Jersey area.  A certified audio engineer and voice-over artist, she has also been in several independent film and web-based productions. 

 

 

 

Alec Patchin (Jacob, stage play) is an actor and martial artist based in New York City. Recent credits include 'Harold' in the web series 'Acting Out' and stunt work on the film 'Trick'. When not overly caffeinated, he is probably brewing coffee and simultaneously watching every A24 movie. @alec.patchin

 

 

 

 

Topher Naylor (Jacob, audio play) is a New York based actor and writer. He grew up in Yorkshire, England where his passion for the arts first took him to London as a teenager where he worked in the London theatre scene for several years. And later coming to NYC to train at Circle in the Square Theater School. He is excited to voice the role of Jacob in "Couch."

 

 

 

James Potter (Stage Manager) began his performance career with The American Boychoir School in Princeton, N.J, touring the east coast and performing regularly with world-class ensembles. He earned a B.F.A in Music Performance and a minor in Theatre from Lock Haven University with honors and while serving as President of the LHU choirs he performed in venues throughout the UK as a soloist and Assistant Tour Director. Potter has held numerous positions in the theater world, including Actor/Performer, Stage Manager, Director, Music Director, Company Manager, and Managing Director. James is a co-founder and Managing Partner of Potter Productions, LLC. @potterproductionsllc

 

TAKE CARE

SYNOPSIS

Before the nation turned its attention to the opioid epidemic, chronic pain patients and the people who loved them had long experienced the consequences of overprescription. Once the impact was addressed, they faced the new challenge of abrupt changes in their care plans aimed to get people off of medications they never should have been given for long-term use. Take Care explores the impact this has on a marriage where ‘in sickness’ loses the certainty of ‘in health,’ leaving a woman desperate to be free from her pain.

BIOS

Caity-Shea Violette (Playwright) is a national award-winning playwright who makes stories about invisible disabilities, gender-based violence, and complex trauma accessible to wider audiences. Her plays include TARGET BEHAVIOR (Kennedy Center’s National Partners of the American Theatre Playwriting Excellence Award Winner, Kennedy Center’s David Mark Cohen National Playwriting Award National Semi-Finalist, Shakespeare’s Sister Playwriting Fellowship National Semi-Finalist), REAP THE GROVE (Tennessee Williams/New Orleans Literary Festival New Play Competition Finalist), THE STAND (InspiraTO Playwriting Contest Finalist), DISCONNECT (Kennedy Center’s Ten-Minute Play Competition National Finalist), SAVE THE DATE (InspiraTO Playwriting Contest Finalist), LILY (Kennedy Center’s Ten-Minute Play Competition National Semi-Finalist) and others. Her work has been produced and/or developed at such places as the Kennedy Center, Boston Playwrights’ Theatre, Artemisia Theatre, Theatre InspiraTO, Commission Theatre Co., 20% Theatre Company, E.D.G.E. Youth Theatre, Ignition Arts, and more. She is a member of Dramatists Guild of America. Caity-Shea earned her BFA in Theatre from University of Minnesota, Duluth and is a graduate of St. Paul Conservatory for Performing Artists. She is currently pursuing her MFA in Playwriting at Boston University.

 

Latrice Smith (Director) is a Philadelphia native who earned her B.A. in Theatre and Strategic communication from The University of Scranton. She has worked with Elephant Room Productions since summer of 2017. Latrice is an actor, director, Stage manager and Producer primarily based in Philadelphia. Currently she is the Producing Intern at the Vineyard Theatre in New York and will appear in the reading Beacons by Dan Mauro in June. She is thrilled to be working with ERP on this project!

 

 

 

Catherine Natale (Meredith) is a Long Island native who earned her B.A. in English at the University of Scranton. This is her first stage appearance. Catherine lives on Long Island with her family and takes classes at Take 2 Actor’s Studio in Huntington, New York. She is thrilled and grateful to be working with ERP on this project.

 

 

 

 

Conor Cahill (Doug) is a New York based actor. He studied for four years at the elite University of Scranton Theater program. He worked for one year as the assistant director, producer and technical director for the Xavier High School Dramatics Society. He has recently appeared in Stork: A Four Loko Play by William Cosgrove at the Hudson Guild Theater.


"Meanwhile back in Queens, the realness, the foundation, if I die, I couldn't choose a better location."

 

PAINDEMONIUM

SYNOPSIS
Using spoken word, “Paindemonium” depicts the perfect storm of events, in the words of the key players, which resulted in the opioid crisis scourging the nation.
BIOS

Joyce Fontana, PhD (Playwright) has had short plays in Play Festivals across the U.S: Productions of 23 Skidoo, (Durango CO); Trail Meetups (Manhattan), Satellite Buddha (Queens, NY) and Paindemonium – 5 Minute Version (Houston); Readings: Exhibitions at a Picture (Princeton IL, Burnsville MN), The Road to Hell and Since You Asked (Valdez AK) and The Strawberry Fields Dowry Cartel (Gulf Shores AL). Revival was selected for a reading at the 2018 Midwest Dramatists Conference (Kansas City). Paindemonium, One Act version, was read at Kainaliu, Hawaii. Joyce works, plays, and writes in beautiful Southwest Colorado, where she lives with her husband and two dogs.

 

 

Lauren M. Krebs (Co-Director) began her work in Philadelphia at Brat Productions working as the Assistant Director to Director, John Clancy, on their production of The Last Plot in Revenge.  Lauren has also worked with Simpatico Theatre Company as Assistant Producer on their Second Stage Series as well as Bucket List Productions as Associate Producer running their ongoing interactive theatre show, Trapped in a Room with a Zombie. In New York City, Lauren has worked with the Artful Conspirators as Assistant Director for their workshop of Bad Husband written by Dano Madden as well as the 92nd St. Y Resident Artists as Director of their workshop of First Snow written by Christopher G. Ulloth.  In 2014, Lauren co-founded the development and workshopping company, Elephant Room Productions.  Elephant Room Productions has workshopped new pieces such as Foothills Park and Beautiful American Soldier by Dano Madden, Whispers by Phil Czekner, Captive by Lauren M. Shover, Pis Allers by Titus O’Neill and Ventilator Blues by Bob Kerr. In 2017, Lauren directed Suicide Stories: Gallery of the Untold as part of the Philadelphia Fringe Festival, which was quoted by the Broad Street Review as “dizzying and exhilarating” and by the Phindie as “a surprising reminder of how good it is just to be alive.”. Lauren currently works as a Prevention Specialist for Shalom Inc. educating todays youth about bullying, drugs, alcohol and violence.

 

Elizabeth Potter (Co-Director, Producer) is a New York City based producer and director. Having her start in musical theatre, Potter has performed with regional and off-Broadway theatres and on-screen in commercials and independent films. Alongside her performance career, Potter has built experience in box office and company management, sales, dance instruction, and non-profit community development and outreach, which now informs her work as a producer and director for film, video, photography, and live experiences. In 2018, seeking to provide an empathetic space to hone the creative process, increase artistic skill, and quality output, she founded Potter Productions, LLC to connect artists with the resources they need to refine and execute their vision. More at potterproductionsllc.com and eapotter.com and on socials @potterproductionsllc and @e.a.potter.

 

Emma Becker (Natalie) is a multi-disciplinary performer with a background in writing and editing. She has worked with several theater companies in New York City, including TADA! Youth Theater (Marketing Intern and Box Office Manager), Underling Productions (Marketing Associate), Elephant Room Productions (Brand Management Director), and Project Y Theatre (actor, WIT Festival). Emma made her film debut in Tracks, which she also co-wrote. She graduated with honors from The New School.

 

 

 

Lisa VillaMil (Nurse) is a Philadelphia-based actor, playwright and teaching artist.  She holds a Master's in "Classical and Contemporary Text (Acting)" from the Royal Conservatoire of Scotland.  Some training includes: Shakespeare’s Globe Higher Education Acting Residency in London; Philadelphia Artists’ Collective’s Classic Stages Program; Shakespeare Theatre of New Jersey SPTP acting apprentice. Some credits: Measure for Measure(Commonwealth Classic Theatre Company); Almost, Maine (Wings of Paper); Julius Caesar (Media Theatre); Twelfth Night (Ignoble Shakespeare); Wait Until DarkMacbethA Christmas Carol (Hedgerow Theatre Company); The Other Place (Tampa Repertory); The Liberty to Go to See (Cliveden House).  Up next: Buckingham in Hestia Theatre's Richard III.

 

Julianne Schaub (CDC Rep) is a graduate of DeSales University's Theatre Program and a Philadelphia-based artist. She has performed regionally at the Pennsylvania Shakespeare Festival, the Please Touch Museum Playhouse, Hedgerow Theatre and with Wings of Paper Theatre Company. She has been a proud member of Elephant Room Productions since their 2017 Philly Fringe piece Suicide Stories: The Gallery of the Untold. In addition to acting in Paindemonium, she is the company's Marketing Director and director for The Monster that Comes at Night- another play for ERP's The Fifth Vital Sign. As always, much love to her Herd, Mom, Ryan, Grandma and Matthew.

 

 

Cris Welti (Pharma) is extremely grateful to part of this, his first play, with Elephant Room Productions.  He is a recent graduate of Temple University in Philadelphia whose previous credits include— ‘Riff Raff’ in Rocky Horror Picture Show Live! (Brainspunk Theatre) and ‘George Gibbs’ in Our Town (Pulley and Buttonhole Theatre)."

 

 

 

 

Jaried Kimberly (Pain) is excited to be working with ERP again after a thrilling year at Villanova University. He is currently a full-time Graduate Assistant in the Villanova Theatre Department where he is earning his MA in Theatre with a certificate in Public Administration. You may have recently seen him on the Villanova Theatre stage as Wyatt in James Ijames’ Youth, or as Pyotr in the first staged reading of Kathryn Petersen’s Chrysalis. Jaried was last seen with ERP as Brother in Cristopher Ulloth’s Museum Bar during Suicide Stories: A Gallery of the Untold as part of the 2017 Philadelphia Fringe Festival.

 

 

Blake Alvey (Tony) is a graduate of Indiana University where he received a BA in Theatre with a focus on Acting and Directing. He is a recent addition to Philadelphia after several years acting in Indiana. Most recently, he performed as Male in Elephant Room Productions' piece Salamander by Lisa VillaMil as a part of the 2018 Philadelphia Fringe Festival. 

 

 

NEWS

The latest updates on ERP's opioid project.

EERS

Read about the development process as the finalists progress through the our Elephant Ears Reading Series.